
They are my preferred kind of fabric paints so far, because I like the hand of the fabric once they are dry and because of their sunprint abilities. This was my first experience with the opaque Setacolor and I didn't like it, because the hand of the fabric (almost stiff and crunchy) ends up to be similar to the Color Vie paints, which produces a fabric that is too thick/hard for the kind of intense

Here is Margie on the right teaching us about wet vs. dry painting and how to scrunch paintings for special drying effects. Margie was a great teacher - organized, enthusiastic, an expert in her subject, and her handouts were the best of any class I have ever taken - clear, creatively organized and space

Here are the first class paintings on the drying rack. These were later overpainted and used for experiments in sunprinting. The Setacolor paints have this unique ability to produce silhouettes,

Stop by tomorrow to read about my class with Valerie Hearder.
3 comments:
WAAAAAAY cool! I love your sunprinted maple leaves!! Wish I could have joined that class!
Love all the colours. Your sun printing is great.
I'll have to get some more paints and get back into fabric painting. I used to do alot of it a few years ago.
Love and hugs Gina xxx
Another beauty to share. It sounds like your time at Quilt Canada was something of a quilt smorgasbord. Looking forward to tomorrow's post.
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